Sebastião Salgado’s haunting black-and-white photographs from the GENESIS project record landscapes and people unchanged in the devastating onslaught of modern society and development. Salgado calls GENESIS “my love letter to the planet.”

Sebastião Salgado’s haunting black-and-white photographs from the GENESIS project record landscapes and people unchanged in the devastating onslaught of modern society and development. Salgado calls GENESIS “my love letter to the planet.”

看萨尔加多的《移民》 #李 元 萨尔加多的新作《移民》分别在巴黎和纽约展出，马上引起许多的争论。法国的一位知名艺术教授谢弗日尔，在巴黎最有影响力的 Le Monde 日报上抱怨：这是“变态的伤感”（在原文里，含义更深。他引用的字是指那些看淫画而得到性满足的变态。换句话说，他认为萨尔加多是利用人性的弱点，有意识地通过这些作品，来满足观众自我发泄伤愁的需要）。 纽约时报的评论家金梅尔曼用“苦难是美？”为题，在什麽是“常规”上大做文章。尽管说萨尔加多曾经在上海说过，他所拍摄的题材是反映世界上超过百分之九十以上的民众，金梅尔曼认为，在一般人的心目里，萨尔加多所拍摄的不是“常规”的生活。一般影展里的观众，在“常规”的情况下，不会像他那样抱怨照片拍得太美了。而萨尔加多也不是“常规”的纪实摄影家。字里行间，金梅尔曼似乎在说，萨尔加多和他的照片已经脱离了“常规”。不...(展开全部)

看萨尔加多的《移民》 #李 元 萨尔加多的新作《移民》分别在巴黎和纽约展出，马上引起许多的争论。法国的一位知名艺术教授谢弗日尔，在巴黎最有影响力的 Le Monde 日报上抱怨：这是“变态的伤感”（在原文里，含义更深。他引用的字是指那些看淫画而得到性满足的变态。换句话说，他认为萨尔加多是利用人性的弱点，有意识地通过这些作品，来满足观众自我发泄伤愁的需要）。 纽约时报的评论家金梅尔曼用“苦难是美？”为题，在什麽是“常规”上大做文章。尽管说萨尔加多曾经在上海说过，他所拍摄的题材是反映世界上超过百分之九十以上的民众，金梅尔曼认为，在一般人的心目里，萨尔加多所拍摄的不是“常规”的生活。一般影展里的观众，在“常规”的情况下，不会像他那样抱怨照片拍得太美了。而萨尔加多也不是“常规”的纪实摄影家。字里行间，金梅尔曼似乎在说，萨尔加多和他的照片已经脱离了“常规”。不...(展开全部)

Sebastião Salgados photographs have been shown around the world. In From my land to the Planet the photographer tells us the story of his most famous reportages: from the black and white portraits of unknown men and women, workers or refugees, to the more recent Genesis project, a portrait of the most incontaminated places of our planet. With a kindness and a disarming simplici...(展开全部)

An homage to Africa's people and wildlife Sebastião Salgado is one the most respected photojournalists working today, his reputation forged by decades of dedication and powerful black-and-white images of distressed people taken in places where most wouldn’t dare to go. Although he has photographed around the globe, his work most heavily concentrates on Africa, where he has shot...(展开全部)

“In Genesis, my camera allowed nature to speak to me. And it was my privilege to listen.” —Sebastião Salgado On a very fortuitous day in 1970, 26-year-old Sebastião Salgado held a camera for the first time. When he looked through the viewfinder, he experienced a revelation: suddenly life made sense. From that day onward—though it took years of hard work before he had the experi...(展开全部)

One of our greatest novelists and thinkers presents a radiant, thrilling interpretation of the book of Genesis. For generations, the book of Genesis has been treated by scholars as a collection of documents, by various hands, expressing different factional interests, with borrowings from other ancient literatures that mark the text as derivative. In other words, academic interp...(展开全部)